John Seely Hart

John Seely Hart

Summary

Portrait of John Seely Hart John Seely Hart The Child Love (1852)

She tripped demurely by his side, looking so beautiful in her clean white dress, and her curls in such rich profusion flowing round her delicate throat. He could not bear to pain her happy heart by the sad news of their parting, so he drew her gently to his bosom for the last time, while he waited for her father’s return; and they were all alone but the kitten purring in the sun, and old Margery bustling in and out, intent on household cares. They did not talk much, but now and then she would pass her hand caressingly over his face, or he would bend down and kiss her tenderly.
Source: Wikisource

Portrait of John Seely Hart John Seely Hart The Child Love (1852)

No one ever spoke a harsh word to Miriam, motherless Miriam Arnold, the light of her father’s lonely life, and the pet of the neighbours, who looked out to catch a glimpse of her light figure as she bounded up the dark court like a flitting ray of sunshine. It was a gloomy abode for such a bright young creature, or a stranger would have thought so. The house so old and cheerless, far away from the gay shops and the beautiful women who frequent them.
Source: Wikisource

Portrait of John Seely Hart John Seely Hart The Child Love (1852)

It was, perhaps, this still seclusion that had given Miriam, with all her eager childish grace, thoughts above her years; and, after her friend had gone, she put the kitten from her lap and leaned out of the window to watch for her father’s return, musing, as she had never done before, how men could ever live without knowing they had a Father up in Heaven, and who else they could thank for taking care of them through the long dark night?
Source: Wikisource

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