John Seely Hart

Biographical details

Portrait of John Seely Hart John Seely Hart Lucy Dutton (1852)

Lucy Button was the last blossom on a tree which had boasted many fair ones. When the grave opened to one after another of that doomed family, till none but this bright, beautiful bud was left, she became the all in all, and with the doting affection of age was she cherished. When poverty came to Granny Button’s threshold, she drew her one priceless jewel to her heart, and laughed at poverty. When sorrows of every kind compassed her about, and the sun went down in her heaven of hope, another rose in a holier heaven of love; and Lucy Button was this fountain of love-born light.
Source: Wikisource

Portrait of John Seely Hart John Seely Hart Ole Bull (1852)

But when he takes his violin, and holds it so caressingly to his ear, to catch the faint vibration of its strings, it seems as if “the angels were whispering to him.” As his fingers sweep across the strings, the angels pass into his soul, give him their tones, and look out from his eyes, with the wondrous beauty of inspiration. His motions sway to the music, like a tree in the winds; for soul and body accord. In fact, “his soul is but a harp, which an infinite breath modulates; his senses are but strings, which weave the passing air into rhythm and cadence.”
Source: Wikisource

Portrait of John Seely Hart John Seely Hart The Right to Labour (1852)

The diffusive spirit of Christianity, the wonderful invention of letters, the discovery of our Western world, the wide-spread power of steam, and now Heaven’s lightning, by science tamed to be man’s messenger—these put us on a pinnacle which Greece and Rome could never dream of. And yet the world is young! We look not into its future; veiled to us are its glories. But through the mist and mystery of forthcoming ages, interpreted by the awakening beam of the past, may we not read the one great hope,—the one bright truth,—man is improving, improvable, ceaselessly and boundlessly!
Source: Wikisource

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