John Seely Hart

John Seely Hart

Summary

Portrait of John Seely Hart John Seely Hart The Quilting Party (1852)

Sleigh-bells were heard at a distance, and the illuminated snow which lay beneath the windows was peopled with shadows moving over it, as one group after another passed out, anxious to obtain a view up the lane.
A knock at the nearest front door put us to flight. Three young gentlemen entered and found us sitting primly around the quilt, each with a thimble on and earnestly at work, like so many birds in a cherry-tree. Again the knocker resounded through the house, as if the lion’s head that formed it were set to howling by the huge mass of iron belabouring it so unmercifully.
Source: Wikisource

Portrait of John Seely Hart John Seely Hart The Quilting Party (1852)

Again the sleigh dashed up to the gate, and off once more. Then we all gathered to the out room, sat demurely down by the quilt, and began to work in earnest. Such frolic and fun and girlish wit—such peals of silvery laughter as rang through that old house were enough to make the worm-eaten rafters sound again—such a snipping of thread and breaking of needles—such demand for cotton and such graceful rolling of spools across the “rising sun” [1] could only be witnessed in a New England quilting frolic.
Source: Wikisource

Portrait of John Seely Hart John Seely Hart The Quilting Party (1852)

Everywhere the wreathing evergreens flung a chain of tremulous and delicate shadows on the wall. A huge fire roared and flashed in the chimney, till some of the hemlock boughs on either side grew crisp and began to shower their leaves into the flames, which crackled the more loudly as they received them, and darting up sent a stream of light glowing through the upper branches and wove a perfect net-work of shadows on the ceiling overhead.
Source: Wikisource

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