John Seely Hart

John Seely Hart

Summary

Portrait of John Seely Hart John Seely Hart The Mystery of the Mountain (1852)

Then he saw that another had joined them in the shape of a serpent, whereat he drew back in terror; but the snake came on, erecting his head and glowing in his burnished folds, till he came opposite to the man Hugo, when he began to move from side to side, and Hugo did the same, with wonderful ease and pleasure; the dance growing more and more rapid, and the snake, no more a snake, but a column of rubies and diamonds and all precious stones, changing and flashing and tinkling their sharp points, and rolling and writhing in the ecstasy of light
Source: Wikisource

Portrait of John Seely Hart John Seely Hart The Mystery of the Mountain (1852)

Ever and anon the clear sound of a bugle swelled out, and then died away in the distance—while the baying of hounds told of courtly sport. Mary looked on every side, but neither dwelling nor human being was to be seen, but jangling the bells of her harness she caught the spirit of life which the bugle implied, and rode gayly onward.
Reaching a lovely glade where the birches trembled lightly over a stream, Hugo dismounted, and they sat down upon the bank. The girl feared to disturb the silence of her father, so she nestled to his side and pulled the violets for lack of something to do.
Source: Wikisource

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