Summary

Portrait of John Seely Hart John Seely Hart The Female Prose Writers of America… (1852)

Sigourney, has written so little to cause self-regret in the review. The secret of this lies in that paramount sense of duty which is the obvious spring of her writings, as of all her conduct. If it has not led her to the highest regions of fancy, it has saved her from all those disgraceful falls that too often mark the track of genius. Along the calm, sequestered vale of duty and usefulness, her writings, like a gentle river fresh from its mountain springs, have gladdened many a quiet home, have stimulated into fertility many a generous heart.
Source: Wikisource

Portrait of John Seely Hart John Seely Hart The Female Prose Writers of America… (1852)

Justice has hardly been done to Mrs. Sigourney as a prose writer. She has been so long, and is so familiarly, quoted as a poet, that the public has in a measure forgotten that her indefatigable pen has sent forth almost a volume of prose yearly for more than a quarter of a century—that her prose works already issued number, in fact, twenty-five volumes, averaging more than two hundred pages each, and some of them having gone through not less than twenty editions. She has indeed produced no one work of a thrilling or startling character, wherewith to electrify the public mind.
Source: Wikisource

Portrait of John Seely Hart John Seely Hart The Female Prose Writers of America… (1852)

Few understand how sensitive is the anxiety of an author for his first work; how he watches and criticises his dearest feelings when they are about to be made public property, and issued to the world. But how much greater must be this sensitive dread when the author is a woman, and a woman whose whole life and support are cast upon that one venture? Miss McIntosh had all these feelings to struggle with in their fullest strength, and, in addition, the delays and difficulty of obtaining the publication of a work by a new writer.
Source: Wikisource

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