Summary

Authors at home: Personal and biographical sketches of well-known American writers (1902)

Stedman possesses the first and highest of qualities—that of spontaneity. The thought leaps at a bound into expression. So rapid is the flow of ideas, and so fluent its delivery, that one thought sometimes trips on the heels of the next. His talk, in its range, its variety, and the multiplicity of subjects touched upon, even more, perhaps, than his work, is an unconscious betrayal of his many-sided life. The critic, the poet, the man of business and the man of the world, the lover of nature, and the keen observer of the social machinery of life, each by turn takes the ascendant.
Source: Gutenberg

Authors at home: Personal and biographical sketches of well-known American writers (1902)

Aldrich’s study at Lynn is a modest upper room, in a wing, with a plain gray cartridge-paper on the walls, no pictures, and nothing to conspire with a flagging attention in its wanderings. One’s first impulse, on looking up from the little writing-table in the center of the floor, would be to cast his eyes out of the single window, where Egg Rock, in a bit of blue sea, is again visible. This window should be an inspiring influence, letting in its illumination upon the fabrics of the heated brain; and not in the gentler mood alone, for tragedy is often abroad there.
Source: Gutenberg

Authors at home: Personal and biographical sketches of well-known American writers (1902)

Once within the front door, the charm of a surprise awaits one. Color, warmth, and grace greet the eye at the outset. If it be the poet’s gift to turn the prose of life into poetry, it is certain that the same magical art has here been employed to make household surroundings minister to the æsthetic sense. There is a pervading harmony of tone and tints throughout the house, the rich draperies, the soft-toned carpets, and the dusk of the tempered daylight, are skillfully used as an effective background to bring into relief the pictures, the works of art, and the rare bits of bric-à-brac.
Source: Gutenberg

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