Summary

Portrait of Joseph Conrad Joseph Conrad,  Victory — Part Two, Chapter Two (1915)

“ The concert was over; the audience had gone; the concert-hall was dark; and even the Pavilion, where the ladies' orchestra slept after its noisy labours, showed not a gleam of light. Heyst suddenly felt restless in all his limbs, as this reaction from the long immobility would not be denied, he humoured it by passing quietly along the back veranda and out into the grounds at the side of the house, into the black shadows under the trees, where the extinguished paper lanterns were gently swinging their globes like withered fruit. ”
Source: Wikisource

Portrait of Joseph Conrad Joseph Conrad,  Victory — Part Two, Chapter Two (1915)

“ She didn't turn her head. She was obviously relieved.
"Would it be that brute?" she breathed out, meaning Schomberg, of course. "He's getting too forward with me now. What can you expect? Only this evening, after supper, he--but I slipped away. You don't mind him, do you? Why, I could face him myself now that I know you care for me. A girl can always put up a fight. You believe me? Only it isn't easy to stand up for yourself when you feel there's nothing and nobody at your back. There's nothing so lonely in the world as a girl who has got to look after herself.
”
Source: Wikisource

Portrait of Joseph Conrad Joseph Conrad,  Victory — Part Two, Chapter Two (1915)

“ Heyst was not conscious of either friends or of enemies. It was the very essence of his life to be a solitary achievement, accomplished not by hermit-like withdrawal with its silence and immobility, but by a system of restless wandering, by the detachment of an impermanent dweller amongst changing scenes. In this scheme he had perceived the means of passing through life without suffering and almost without a single care in the world--invulnerable because elusive. ”
Source: Wikisource

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