Summary

Joseph Cundall A Brief History of Wood-engraving… (1895)

HOLBEIN'S DANCE OF DEATH THE ASTROLOGER
HOLBEIN'S DANCE OF DEATH
THE ASTROLOGER
Almost every class is represented in them—the King at his well-spread board is served by his fellow King, who fills his bowl; the Queen, walking with her ladies, is led into an open grave; in a landscape, in which we see a flock of sheep, Death appears to an aged Bishop; here we see Death running away with the Abbot's mitre and crozier; there he visits the Physician and the Astrologer. In the church is a Preacher who holds the people in awe, behind him is a Preacher more dread still
Source: Wikisource

Joseph Cundall A Brief History of Wood-engraving… (1895)

They copy the original prints in exact facsimile, and, looking at them, one cannot but wonder at the high state of perfection to which the art of wood-engraving had attained nearly four hundred years ago. At that time, Germany stood alone in its excellence; France, and even Italy, were far behind her; and England and Spain were nowhere. We ought to add that both the 'Dance of Death' and the 'Bible Cuts' were issued, with text, by the brothers Trechsel, the celebrated publishers of Lyons, in 1538, when Holbein must have been in England.
Source: Wikisource

Joseph Cundall A Brief History of Wood-engraving… (1895)

The son of a worthy painter of sacred pictures for the Church, he was brought up amidst all the paraphernalia of the studio, and at a very early age began to design title-pages, initial letters, and ornaments for numerous important books published by Johann Froben, Valentine Curio, and other printers of Basel, and Christoph Froschover, of Zürich.
Source: Wikisource

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