Summary

Portrait of Kate Chopin Kate Chopin Bayou Folk — A No-Account Creole… (1894)

Above their heads the live-oak branches were beating with sad monotony against the blackened roof. Great pools of water had formed in the yard, which was deserted by every living thing; for the little darkies had scampered away to their cabins, the dogs had run to their kennels, and the hens were puffing big with wretchedness under the scanty shelter of a fallen wagon-body.
Certainly a situation to make a young man groan with ennui, if he is used to his daily stroll on Canal Street, and pleasant afternoons at the club. But Offdean thought it delightful.
Source: Wikisource

Portrait of Kate Chopin Kate Chopin Bayou Folk — A No-Account Creole… (1894)

If they sometimes forgot what they had gone into the woods for, it was because there was so much to talk about and to laugh about. Often, when Offdean had blazed a tree with the sharp hatchet which he carried at his pommel, and had further discharged his duty by calling it “a fine piece of timber,” they would sit upon some fallen and decaying trunk, maybe listen to a chorus of mocking-birds above their heads, or to exchange confidences, as young people will.
Euphrasie thought she had never heard any one talk quite so pleasantly as Offdean did.
Source: Wikisource

Portrait of Kate Chopin Kate Chopin Bayou Folk — A No-Account Creole… (1894)

When two weeks had passed, Offdean felt very much at home with old Pierre and his daughter, and found the business that had called him to the country so engrossing that he had given no thought to those personal questions he had hoped to solve in going there.
The old man had driven him around in the no-top buggy to show him how dismantled the fences and barns were. He could see for himself that the house was a constant menace to human life.
Source: Wikisource

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