Katharine Brush

Katharine Brush

Summary

Portrait of Katharine Brush Katharine Brush Glitter — Mrs. Hamill (1926)

She seemed every inch the charming, the popular, the distinguished hostess; and not at all did she seem what she was . . . a lady making her living, just as she had made it every night for almost twelve years. . . .
Every night, that is, except the ones when Jock was with her. And even in twelve years there had not been many of those. Two weeks at Christmas, a week at Easter, a brief hiatus between the closing of school or college and the opening of camp or summer school—no more. Jock's vacations were, and had ever been, at once the glory and the bane of Madelaine Hamill's existence.
Source: Wikisource

Portrait of Katharine Brush Katharine Brush Glitter — Mrs. Hamill (1926)

Hamill and Yvonne met duly, and appeared charmed with one another. "Although," Jock reflected, "you can't tell a thing by appearances." He had engineered the meeting as a matter of course, knowing it inevitable, but with a certain secret trepidation. One's mother and one's betrothed—well, there was a bar between, always. And when each was a woman fundamentally inimical to all other women, the bar might easily and at once become a grim and immutable thing of iron.
Source: Wikisource

Portrait of Katharine Brush Katharine Brush Glitter — Mrs. Hamill (1926)

There are amusement-park crowds with sleazy dresses and gents' ready-to-wear suits and run-down heels and jaws in perpetual motion. There are baseball crowds, straw=hatted, shirt-sleeved, perspiring. There are football crowds, vast gay menageries of fur. There are movie crowds sticky with candy, pale with bad air; and hotel crowds, dark-clad and middle-aged and smug. But the roadhouse crowd is like no other in the world.
Source: Wikisource

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