Katharine Brush,
Glitter — Cecily
(1926)
“ To walk out beside Yvonne into the spotlight, to bow and scrape to the crowd, to kneel and strum, with these two looking on. . . . There was suddenly nothing in all the world he wanted less to do. He felt placed at a definite disadvantage. This fellow Bill—budding architect, Cecily had said—what would he think? What was he thinking now? "Probably looks on me as about one degree higher than a confounded chorus man!" . . . He could imagine Bill on the way home, upbraiding Cecily, saying of himself, Jock, "What do you see in a sap like that? Why, he doesn't amount to anything!" ”
