Summary

Portrait of L. Frank Baum L. Frank Baum Mary Louise — XX. DIAMOND CUT DIAMOND (1916)

You've puzzled me, youngster as you are, but you must remember that I'm working in the dark while some mysterious gleam of knowledge lights your way. Put us side by side, on the same track, and I wouldn't be afraid of you, Sarah Judd."
"Don't apologize, Nan; it makes me feel ashamed."
Nan's frown, as she looked into the blue eyes, turned to a smile of appreciation. Sarah also smiled, and then she said:
"Let me make you a cup of tea before you go."
"A good idea. We're friends, then?"
"Why not? One friend is worth a thousand enemies and it's absurd to quarrel with one for doing her duty."
Source: Wikisource

Portrait of L. Frank Baum L. Frank Baum Mary Louise — XX. DIAMOND CUT DIAMOND (1916)

Susan's hand shook so ridiculously that she lowered the revolver to prevent its dropping from her grasp. Her countenance expressed chagrin, surprise, anger.
"I don't know you," she said harshly. "Who are you?"
"New at the game," replied Sarah Judd, with a shrug. "You don't know me, Nan, but I know you; and I know your record, too. You're as slick as they make 'em, and the one who calls herself Agatha Lord is just an infantile amateur beside you.
Source: Wikisource

Portrait of L. Frank Baum L. Frank Baum Mary Louise — XX. DIAMOND CUT DIAMOND (1916)

But go ahead, Nan; don't let me interrupt your work."
The woman sank into a chair.
"You can't be from the home office," she muttered, staring hard at the girl. "They wouldn't dare interfere with my work here."
"No; I'm not from the home office."
"I knew," said Susan, "as soon as I heard the story of your coming, that it was faked. I'd gamble that you never saw Mrs. Morrison in your life."
"You'd win," said Sarah, also taking a chair.
"Then who could have sent you here?"
"Figure it out yourself," suggested Sarah.
"I'm trying to. Do you know what we're after?"
"A clew to Hathaway.
Source: Wikisource

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