Summary

Portrait of Leo Tolstoy Leo Tolstoy Childhood (Tolstoy) — Verse-Making

My last remnants of nerve and energy had forsaken me while Karl and Woloda had been offering their presents, and my shyness now reached its culminating point, I felt the blood rushing from my heart to my head,
one blush succeeding another across my face, and drops of perspiration beginning to stand out on my brow and nose. My ears were burning, I trembled from head to foot, and, though I kept changing from one foot to the other, I remained rooted where I stood.
"Well, Nicolinka, tell us what you have brought?" said Papa. "Is it a box or a drawing?"
Source: Wikisource

Portrait of Leo Tolstoy Leo Tolstoy Childhood (Tolstoy) — Verse-Making

His curiosity satisfied, Papa handed the box to the priest, who also seemed particularly delighted with it, and looked with astonishment, first at the article itself, and then at the artist who could make such wonderful things. Then Woloda presented his Turk, and received a similarly flattering ovation on all sides.
It was my turn now, and Grandmamma turned to me with her kindest smile. Those who have experienced what embarrassment is know that it is a feeling which grows in direct proportion to delay, while decision decreases in similar measure.
Source: Wikisource

Portrait of Leo Tolstoy Leo Tolstoy Childhood (Tolstoy) — Verse-Making

I repeated to myself. "What other rhyme could I use instead of 'dear'? Fear? Steer? Well, it must go at that. At least the verses are better than Karl Ivanitch's."
Accordingly I added the last verse to the rest. Then I went into our bedroom and recited the whole poem aloud with much feeling and gesticulation. The verses were altogether guiltless of metre, but I did not stop to consider that.
Source: Wikisource

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