Summary

Portrait of Leonardo da Vinci Leonardo da Vinci The Notebooks of Leonardo Da Vinci…

Now this white [body] being deprived of the light of the sun by the interposition of some body between the sun and itself, all that portion of it which is exposed to the sun and atmosphere assumes the colour of the sun and atmosphere; the side on which the sun does not fall remains in shadow and assumes the hue of the atmosphere. And if this white object did not reflect the green of the fields all the way to the horizon nor get the brightness of the horizon itself, it would certainly appear simply of the same hue as the atmosphere.
Source: Wikisource

Portrait of Leonardo da Vinci Leonardo da Vinci The Notebooks of Leonardo Da Vinci…

The surface of an opaque body assumes the hues of surrounding objects more strongly in proportion as the rays that form the images of those objects strike the surface at more equal angles.
And the surface of an opaque body assumes a stronger hue from the surrounding objects in proportion as that surface is whiter and the colour of the object brighter or more highly illuminated.
Source: Wikisource

Portrait of Leonardo da Vinci Leonardo da Vinci The Notebooks of Leonardo Da Vinci…

The surface of a body assumes in some degree the hue of those around it. The colours of illuminated objects are reflected from the surfaces of one to the other in various spots, according to the various positions of those objects. Let _o_ be a blue object in full light, facing all by itself the space _b c_ on the white sphere _a b e d e f_, and it will give it a blue tinge, _m_ is a yellow body reflected onto the space _a b_ at the same time as _o_ the blue body, and they give it a green colour (by the 2nd [proposition] of this which shows that blue and yellow make a beautiful green &c.)
Source: Wikisource

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