Lloyd Arthur Eshbach

Lloyd Arthur Eshbach

Summary

Portrait of Lloyd Arthur Eshbach Lloyd Arthur Eshbach Isle of the Undead

Men in the armor of medieval Persia—the crew of the black galley; yellow-haired Vikings; hawk-faced Egyptians with leather-brown skins; half-naked islanders; red-sashed pirates from the Spanish main; men of today! And about all, like the dampness that clings to a tombstone, hovered a cloud of—death! The undead!
Cliff's gaze roved over the tensely waiting columns, then leaped to the foot of the stairs. There, cowering dumbly like sheep in a slaughter-pen, were his friends from the Ariel.
Source: Gutenberg

Portrait of Lloyd Arthur Eshbach Lloyd Arthur Eshbach Isle of the Undead

He turned and bent over Vilma, still in thrall to that strange deep slumber. As he traced the delicate outlines of her lovely face, now so lifeless and pale, bitter wrath flared within him, wrath and hatred for Leon Corio. But as he thought of the ghastly undead things out there in the galley pit, thought of this water-soaked anachronism which had no right to be afloat, his skin crisped with a sense of foreboding, a fear of what was yet to come. He must do something!
Source: Gutenberg

Portrait of Lloyd Arthur Eshbach Lloyd Arthur Eshbach Isle of the Undead

All through the interminable night Cliff and Vilma crouched on the ledge, staring through the barred window. A hundred times they would have fled to escape the maddening scene, but they could not move. Senses reeled before the awful monotony of the ceaseless climbing, their eyes smarted with fixed staring, their tongues and throats were parched to desert dryness; yet only after hours of endless watching, only after the last victim had climbed the steps, did the edge of terror dull, and a modicum of control return to their bodies.
Source: Gutenberg

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