Summary

Portrait of Louis Becke Louis Becke By Reef and Palm — The Revenge of Macy O’Shea (1916)

With slow, languid step, Sera, the wife of Macy O’Shea, comes to the open door and looks out upon the placid lagoon, now just rippling beneath the first breath of the trade-wind, and longs for courage to go out there—there to the point of the reef—and spring over among the sharks. The girl—she is hardly yet a woman—shudders a moment and passes her white hand before her eyes, and then, with a sudden gust of passion, the hand clenches.
Source: Wikisource

Portrait of Louis Becke Louis Becke By Reef and Palm — The Revenge of Macy O’Shea (1916)

As the blood-quickening boom reverberated through the village, the natives came out from their huts and gathered around the House of the Old Men, where, with bound hands and feet, Sera, the White Man’s wife, sat, with her back to one of the centre-posts. And opposite her, sitting like a native on a mat of kapau, was the burly figure of O’Shea, with the demon of disappointed passion eating away his reason, and a mist of blood swimming before his eyes.
Source: Wikisource

Portrait of Louis Becke Louis Becke By Reef and Palm — The Revenge of Macy O’Shea (1916)

Ristow and O’Shea took all the wind out of the Gospel drum.
And so Mālia, dressed as a native girl, with painted cheeks and bare bosom, walked demurely up from the boat to the purchaser of her sixteen-years’-old beauty, who, with arms folded across his broad chest, stood in the middle of the path that led from the beach to his door. And within, with set teeth and a knife in the bosom of her blouse bodice, Sera panted with the lust of Hate and Revenge.
Source: Wikisource

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