Summary

Portrait of Lucy Maud Montgomery Lucy Maud Montgomery Kilmeny of the Orchard — A Phantom of Delight

To his latest day Eric Marshall will be able to recall vividly that scene as he saw it then--the velvet darkness of the spruce woods, the overarching sky of soft brilliance, the swaying lilac blossoms, and amid it all the girl on the old bench with the violin under her chin.
He had, in his twenty-four years of life, met hundreds of pretty women, scores of handsome women, a scant half dozen of really beautiful women. But he knew at once, beyond all possibility of question or doubt, that he had never seen or imagined anything so exquisite as this girl of the orchard.
Source: Wikisource

Portrait of Lucy Maud Montgomery Lucy Maud Montgomery Kilmeny of the Orchard — A Phantom of Delight

What a dizzying, intoxicating fragrance lilacs have! I wonder if perfume could set a man drunk. Those apple trees now--why, what is that?"
Eric started up and listened. Across the mellow stillness, mingled with the croon of the wind in the trees and the flute-like calls of the robins, came a strain of delicious music, so beautiful and fantastic that Eric held his breath in astonishment and delight. Was he dreaming? No, it was real music, the music of a violin played by some hand inspired with the very spirit of harmony.
Source: Wikisource

Portrait of Lucy Maud Montgomery Lucy Maud Montgomery Kilmeny of the Orchard — A Phantom of Delight

The orchard was large and long, enclosed in a tumbledown old fence of longers bleached to a silvery gray in the suns of many lost summers. At regular intervals along the fence were tall, gnarled fir trees, and an evening wind, sweeter than that which blew over the beds of spice from Lebanon, was singing in their tops, an earth-old song with power to carry the soul back to the dawn of time.
Source: Wikisource

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