Violin

“ The solo violin chants a gentle theme against which the strings and clarinet weave in equally gentle background. There is a spirited change of mood as the melody is followed by rhythmic passage-work sustained over a marked bass. The first theme returns as the movement draws to a close, more deliberate now. The flute takes it up as the violin embroiders richly around it. ”

“ You cannot reach my soul through touch or gaze;
Be our full lips with infinite meanings rife:
The longed-for words, which of us ever says?
THE VIOLIN.
Touch gently, friend, and slow, the violin, So sweet and low,
That my dreaming senses may be beckoned so
Into a rest as deep as the long past "years ago!"
So softly, then, begin;
And ever gently touch the violin,
Until an impulse grows of a sudden, like wind
On the brow of the earth,
And the voice of your violin shows its wide-swung girth
With a crash of the strings and a medley of rage and mirth ”

“ My native cheerfulness, my piano, my violin, my violoncello, my canvas children, and my pipes, all nourish me like meat and wine. I played upon my violin a little impromptu good-bye to my landscape—a melodious farewell to a sweet creation. The time seemed long before my landlady returned, and when I put back my violin in its case, I heard a sound of crying on the stairs. I opened the door and looked out, and there was a little English angel, whom I had never before seen, sitting upon the topmost step, close to my attic door, crying as if her heart had broken. ”

“ Indeed, very few of the greatest singers could ever produce such velvety, sweet, poignant, vibrant and insinuating notes as we hear from a luscious Stradivari, a sweet Amati, or a rich Maggini under the bow of a master-violinist.
Everything about a violin appeals to us. There is something so mysterious and ingratiating about the little instrument, neat and trig and curved at the waist, with lines as clean as those of a high-bred race-horse and nerves as tense with excitement, ready to be set quivering at the touch of the bow. ”

“ Then he took his violin once again for the last time, and played just as if he had gathered all the dust of life into a single pinch and would scatter it to the winds by the vibrations of his instrument. ”

“ The violin told a story of human life: Two lovers strayed among the elms and oaks and down by the river side where daffodils and pansies bend and smile to rippling waves, and there, under the bloom of incense-breathing bowers, the old, old story—so old and yet so new, conceived in heaven, first told in Eden, then handed down through all the ages,—was told over and over again. ”

“ Ah, that little violin!—a cherished relic now. Perhaps it plays soft, plaintive airs all by itself, in the place where it is kept, missing the touch of the baby fingers which used to waken it into life! ”

“ The violin is yours—do not mistake me; it is not for your sake but his. He died alone; value it, as I should, Madame!'
They were insolent words, perhaps cruel, provoked from me by the mixed nature of my attraction to her; the need of turning a reasonable and cool front to that pathetic beauty, that artful music, which whipped jaded nerves to mutiny. ”

“ The sound of the violin stands like a slender girl above it and is clear and alone. The voices cease and the violin continues alone. In the night it is so thin it sounds frozen; one must stand close up; it would be much better in a room;—out here it makes a man grow sad. ”

“ After the band had finished tuning their instruments, a middle-sized, handsome man stepped forward with long strides, with a violin in one hand and bow in the other, and began waving the latter up and down, like a magician summoning his spirits. ”

“ I tuned my violin and struck up a lively air; while some joined in a nimble reel, others patted and sang their simple but melodious songs, filling the great room with music mingled with the sound of human voices and the clatter of many feet. ”

“ Famous composers, such as Tartini, Corelli, Spohr and Viotti have been great violinists, and by their compositions, as much as by their talents as virtuosi, have largely developed the capacity of the violin as a vehicle of profound musical expression. To the listener the violin speaks with an intensity, a sympathy, and evokes a thrill of the senses such as no other instrument can produce. For the player it seems to respond to every pulse of his emotions. ”

“ At last I thought I would offer my violin to the devil, in order to discover what kind of a musician he was, when, to my great astonishment, I heard him play a solo, so singularly beautiful and with such superior taste and precision, that it surpassed all the music I had ever heard or conceived in the whole course of my life. ”

“ The mystery and romance of that wonderful tone, enclosed within the apparently simple, box-like affair called the violin, has proved an irresistible attraction, and the reward awaiting those who discover the connection and its utilisation as in past times, has fired the zeal of honest builders, and drawn to the art a host of amateurs, experimenters, and theorists. Never has the violin been more earnestly considered at every point ”

“ The violin is, perhaps, only useful to one person. But how much more intimate it is! Tucked under the chin it becomes almost a part of the player—as the sculls used to be to the Autocrat when he went rowing. The tones of the violin are yours and have to be evoked through your own patient effort; the pianoforte stands glistening and repellent, almost impervious to your personality. I would have children taught to play the violin, or violoncello in preference to the pianoforte, and I look forward to the time when we shall train our young people to play other orchestral instruments as well. ”

“ Often is the question asked, What can there be in a simple Violin to attract so much notice? What is it that causes men to treat this instrument as no other, to view it as an art picture, to dilate upon its form, colour, and date? ”

“ Those old painters were right who put violins into the hands of their musical angels. Give a violin time enough, and the music of it will gradually eat up the whole body, or etherealize it, till some day the musician, touching carefully his precious film of a Cremona, will find it melt in his hands, and disappear in a harmonious sigh. ”

“ Certain it is that the violin is the noblest of all instruments that the Faustian soul has imagined and trained for the expression of its last secrets, and certain it is, too, that it is in string quartets and violin sonatas that it has experienced its most transcendent and most holy moments of full illumination. ”

“ Paganini.—The most unique, most startling figure in music belongs to the violin, a law unto himself in his playing, one for whom the violin seemed to have been perfected long years before by Guarnerius and Stradivarius and one who seemed to have been made for the violin, the hero of fictions innumerable, to whom was attributed in his day all manner of occult power. ”

“ The violin shows the soul of this material in its highest refinement. No other instrument has so effectually caught the tones of the glorious mountain and the peaceful valley as has the choicely selected and deftly fashioned shell of the fiddle. ”

“ The two most pleasing, expressive, and powerful single instruments of music are the human voice and the violin. The one, the gift of beneficent nature, has from the creation exercised its touching influence on the human soul—the other, the product of the ingenuity of man, has only within the last three centuries attained to perfection, but since that period what delight, what rapture has arisen from so simple a construction, when acted upon by the hand of genius! ”

“ What is my idea of the violin as a medium of expression? It seems to me that it is that of any other valid artistic medium. It is not so much a question of the violin as of the violinist. A great interpreter reveals his inner-most soul through his instrument, whatever it may be. Most people think the violin is more expressive than any other instrument, but this is open to question. ”

“ With the violin thought commences with the means. The hand is trained; we say set the fingers so, and the thumb so. Now practice; when the action is perfect the tone will be right. Briefly in singing we strive for the tone and the action follows, in the violin we strive for the action and the tone follows. Thus it is clear that a knowledge of the structure of the hand is of distinct value to a violinist—in particular, a teacher—while, on the other hand, the knowledge of the anatomy of the throat can be little more than interesting to the vocalist. ”

“ I am in hopes, therefore, my dear young pupil, that your violin will occupy your attention at just those very times when, if you were immoral or dissipated, you would be at the grogshop, gaming-table, or among vicious females. Such a use of the violin, notwithstanding the prejudices many hold against it, must contribute to virtue, and furnish abundance of innocent and entirely unobjectionable amusement. ”

“ Violins are the lively, forward, importunate wits that distinguish themselves by the flourishes of imagination, sharpness of repartee, glances of satire, and bear away the upper part in every concert. I cannot however but observe that, when a man is not disposed to hear music, there is not a more disagreeable sound in harmony than that of a violin. ”

“ The birthplace of the violin is in one of the world’s loveliest spots—in the fertile plain of Lombardy, in the northern part of Italy, where the eyes of the traveller that have feasted on emerald meadows and sapphire lakes look upward to the snowy Alps, where grew the pines, maples and sycamores from which the old makers obtained the woods for their instruments. ”

“ The execution of a rare melody demands as a prime condition an instrument of wide compass and delicate construction, and one of even more rich and varied capabilities is needed to render those grand harmonies which are woven in the modulation of sonorous chords. A skilful hand may draw a scale from wooden blocks set upon ropes of straw, but the great musician must hold the violin, or must feel the keys of the organ under his fingers and the responsive pedals at his feet, before he can expect to interpret fittingly the immortal thought of the composer. ”

“ With the sorrow in mine heart, I have studied and worked until I have made mineself one great artist. If you do not believe, I can show you the papers, where much has been written of me and mine violin. Women have cried when I have played, and have thrown their red roses to me. I had the technique, and when the hurt broke open mine heart, I was immediately one artist. ”

“ Moreover, the very fact that age improves it, and that the longer it lives the sweeter and richer and lovelier it becomes, gives us almost a feeling of awe towards the violin. This delicate little instrument defies Time and disaster. In that it is superior to man himself: the violin is, therefore, almost superhuman! ”

“ Once more the violin is placed on the young shoulder and the bow is laid with caressing touch upon the beloved strings. Ten and often fifteen hours a day incessant practice. No rigid Massart to watch every note. ”

“ An imperceptible movement of the arm, an almost unconscious sentiment on the part of him who experiences it, producing scarcely any apparent effect when executed [43] by a single violin will, when multiplied by a number of them in unison, give forth enchanting gradation, irresistible impulse and accents which penetrate to the very heart’s core. ”

“ In turning to the nineteenth century we shall find little or no more of this sort of pure music. Apart from a few brilliant concert or salon pieces which have little beyond brilliance or charm to recommend them, the considerable literature for the violin consists of sonatas and concertos in which the accompaniment is like the traditional half, almost greater than the whole. In other words we have no longer to do with music for which the violin is the supreme justification, but with music which represents a combination of the violin with other instruments. ”

“ Indeed, this noble instrument, under the deft fingering and skilful bowing of a master-player, becomes almost sentient, and is shown to possess the superior and exclusive power of expressing nearly all the human voice can produce except the articulation of words. A music-teacher once wrote that "the art of playing on the violin requires the nicest perception and the most sense of any art in the known world;" ”

“ An artist is at this moment engaged at the instrument, but you hear no sound. I place this violin upon the end of the rod; the violin becomes instantly musical—not, however, with the vibrations of its own strings, but with those of the piano. I remove the violin: the sound ceases. I put in its place a guitar, and the music revives. For the violin and guitar I substitute this plain wooden tray: it is also rendered musical. Here, finally, is a harp, against the sound-board of which I cause the end of the deal rod to press: every note of the piano is reproduced before you. ”

“ An artistic public performance on the violin is widely divided from the poetry of violin-playing in solitude, out of sheer love to express the performer’s feelings and relieve the tension of sorrow and joy that is oppressing him. When I was a boy, staying at Leichardt, in Sydney, I heard someone playing the violin and accompanying his playing with his own voice. ”

“ If we compare the vibrations of the violin, set up by the comparatively gentle friction of the bow, with those of a piano-forte sound-board, violently trembling in response to strong percussive accents, and the multitudinous and continuous vibrations of long, thick metallic strings, it is at once evident that they are of a more extraordinary nature. ”