Charles Barnard

“ By introducing into the lightest and most popular programmes some short selection from the great masters of violin music, Madam Urso has gradually taught her audiences what they should admire, and, by persistent and gentle urging, she has led them to a knowledge of the best and highest in art. In this Madam Urso is not alone. All true artists do thus teach the people and try to lift them up to something higher and purer. It is this that makes the divine in music. Happily, our people are willing enough to be taught. ”

“ Heaven helps those who try to help themselves. It was useless to cry or sit down in despair. Camilla at once resumed her practice under her father’s guidance. The violin was taken out again and the wretched alley-ways about Howard street reechoed with the strains of the marvelous instrument. By the hour the music floated out the dismal chamber window where the wonder-child toiled over the seemingly hopeless task. The thin, pale face bent over the music book all the day long. Practice, practice, practice. Life seemed made for that. ”

“ Zerrahn wields the baton, but Madam Urso is the real director. Her spirit guides the music and inspires the orchestra with unusual animation. The rather listless manner in the symphony is exchanged for painstaking care and attention. Camilla’s earnestness and life seems to inspire them to greater effort, and their playing gains in vigor and precision. “Not too much fire, gentlemen.” This is the slow movement, and she gently represses their enthusiasm. The feather like touch, the airy delicacy of her own playing, spurs them on to unwonted care and restraint. ”

“ The invariable law of Mozart’s genius—in spite of, or perhaps, in aid of its broad inclusiveness—is condensation or conciseness; of Schubert’s, it is expansion and diffusiveness. But where the genius is so vital and inspiring as that which shines in every line of the D-minor quartette, the amplitude never degenerates into tediousness. There may be profusion in the host’s providing, but no surfeit in the guest’s appetite.
In considering the quality of the performance one is tempted at first to the natural remark that Madam Urso’s power cannot be so plainly shown in concerted as in solo music. ”

“ The general education, and our freedom from precedents enables all art to grow faster here than anywhere else. We are still, as a people, crude and musically ignorant, but we are fast learning. The changes in the character of concert music may be seen almost from year to year; the standard continually advances and, certainly, there is everything to encourage and satisfy the most ardent lover of music in the country. While we have such artists as Madam Urso among us we have much to be thankful for, and may press on till we reach the high standard of excellence she ever keeps before herself. ”

“ It seemed as if even the same cats sat on the sunny walls and as if the same old women filled their water jars at the fountains and toiled up and down the steep streets. There were the geraniums in the windows just as she had seen them in her childhood. Her father’s organ stood in the dusty organ loft at the church of the Holy Cross, and even the same grey cobwebs festooned the arches above the seat where she used to sit and listen to the music. All her father’s old friends came to see her and brought their grandchildren. ”

“ There was an orchestra, and a full chorus, with the organ. The little Camilla now almost six years old sat in the old organ loft and heard it all. She listened and dreamed and wondered and wished and wished she could only do something like that solo for the first violin. An ordinary piece of music, indifferently played, but somehow it enchained her whole attention. It threw wide open the pearly gates of a new and fairer life.
Many a time she had heard famous players at the theatre. They had never interested her as did this one. He was not a very fine player. ”

“ All of these concerts were of a classical character, the first of the kind ever given in the State and to bring them out properly the best talent to be found was engaged, including the Brignoli Opera Troupe then traveling in California.
Never in her experience had concert giving been more successful and profitable than here. It seemed as if she had captured all their hearts and brought the golden State to her feet by one wave of her violin bow. ”

“ Genius is the great gift that has been bestowed upon her. She did not hide it in a napkin, but with heart and soul she did her best to make it a [129] good and acceptable gift to art and humanity. Whether giving concerts among our prairie cities, resting by the sea-shore at Boulogne, traveling among the mountains of California, studying the great masters of the violin in London or Paris, or among friends in Boston, she is always practicing upon her beloved instrument. It is never out of her hands a day, unless ill or fatigued by traveling. ”

“ In all Madam Urso’s art life it has always been her aim to lift up and instruct her hearers. First allure the people with simple music that they can understand and then give them something from the masters, something a little above their comprehension; a taste of classical music. They would receive a little of the pure and true art and in time they would learn to ask for nothing else. If she gave them nothing but high art they would be repelled and would not listen to any art at all. ”

“ The audiences hardly have time to learn who is playing or singing before the bird has flown and a new one, just out of his carriage, is ready to sing and fly again. The very much dressed audience comes and goes at each place, and the music is often drowned in the clatter of half empty wine-glasses and the rattle of more empty heads. It is very grand, exceedingly tiresome, and wonderfully profitable. A player or singer of first-class reputation who is willing to follow up a London season in this style, can win more money than by a year of concert giving. ”

“ Every life has its dull spots—its period of uneventful living. Even public life with its exciting experiences, perpetual change and scenes, its endless procession of new faces may in time become monotonous. The artist life of Camilla Urso has been active and varied to a remarkable degree, but to repeat the details of such a succession of concert tours would be simply wearisome. Events are of small consequence except as illustrative of character and we must only select such as serve to show the woman and the artist in her true character. ”

“ No father to sit by to guide and help. Alone with her violin. She would have no master now. She would be her own master. Her genius should be her guide.
Again the long, slow notes. Again the patient finger exercises. From the almost forgotten years she recalled the lessons of the Conservatory and the instructions of dear old Felix Simon, at sunny Nantes. He was at hand and lived in New York. He might help her. No, she did not wish it. She refused even her father’s aid. She knew herself now. Times had changed since those old days in Nantes. Music had changed. Violin playing had changed. ”

“ The broad quays that skirt the river are planted with trees, making a most delightful walk, and near the eastern end of the town one of the quays ends at what remains of an old chateau or palace. The houses are mostly of stone, with slated roofs. There are some fine stores in the Place Royal that are quite as grand as those in Paris. There are also some old, old churches black with age, dim and vast inside, with statuary on the outer walls, and splendid gothic towers that seem to blossom all over with stone flowers as they climb so far up into the sky above the quaint old town. ”

“ At the end comes another long cadenza, that for soft, whispering tones, sweetness, grace, and vanishing lightness, is almost unequaled. Her face becomes serious. Her eyes have a far away expression, dreamy and tender, that soon affects the music. The magic violin sighs and breathes in melting tenderness. The melody floats upward, melting and fading away, exhaled into palpable silence. Not quite, for just as it seems ready to languish into nothing, a soft, sweet chord from the band completes the cadence and brings it to a natural end. ”

“ If there is any one thing that is attracting the general attention of the American people, it is the art of music. It is a good sign. It shows we are getting beyond the mere tree-felling and prairie-clearing stages of our existence, and coming to something better. This true “Tale of a Violin” has to do with music. It is the story of a real musical life; not wholly American, and therefore instructive. ”

“ Three times a week she took the long walk through the Rue Voltaire, across the sunny Place Graslin, where the theatre stood, past the handsome stores in the Place Royal, over the little bridge, where the Erdre ran through the town, and then along the narrow Rue d’Orleans till the grey towers of the old Chateau came in sight. Then to M. Simon’s, and the lesson on the dumb violin. Not a word of complaint; no asking for “little pieces,” after the silly fashion of American children; not even a request for an exercise. ”

“ At this point Madam Urso appeared and met with a reception that for wild enthusiasm and fervor has probably never been exceeded by any concert audience. The very proper coldness and passiveness of Eastern audiences finds small favor beyond the mountains. The fifteen thousand people met under that roof tendered her an ovation the like of which has probably never been given to any artist in the world. ”

“ The Boston Music Hall is, at best, bare and vast, and by daylight is particularly unattractive. The great organ pipes appear cold and lustreless, and the light tints on the walls are not very comforting. The orchestra of the Harvard Musical Association were upon the stage, under the leadership of Carl Zerrahn, and a few privileged subscribers, numbering a hundred or two, were gathered together at one side, as if to keep each other in countenance. Over such a wide floor it takes a thousand or more to make a comfortable and social company. ”

“ Poor as they were they always managed to have it as bright and pretty about them as possible. With all their poverty they always contrived to look neat and pleasant. M. Urso arranged a temporary shed on the balcony for a kitchen and here in the bright sunshine high up in the air above the noisy street Camilla used to watch the birds and the clouds and peep through the geranium leaves down into the street so far below. ”

“ And the supercilious and intolerant spirit which dictated such treatment had at least a much solider foundation than the narrow conservatism which refused to admit women into the lists with poets, novelists, sculptors, and painters: for power and force are the primal conditions of the highest success as a performer upon the violin, and most women would undoubtedly be weak players as compared with most men. But the genius of art—who, after all, is one and the same, whatever form the art may take—is no respecter of persons ”

“ By day and by night the beloved violin was ever near her. Sometimes in the morning, sometimes late at night, when ever her teacher could find the time, she listened to his instructions and played over the endless exercises. Seven hours practice every day. Three lessons a week; nothing allowed to interfere. Sleep, eat, a little exercise in the open air, practice and lessons, lessons and practice. Such was her young artist life. ”

“ There is no denying the remarkable power and breadth of her style, which is far in advance of that exhibited by the majority of the best male performers;—her touch is at once as [141] firm as steel and as soft as velvet; her mere manual dexterity is extraordinary; and her intonations are as faultless as the steadiest of hands and the correctest of ears can make them,—witness, especially, her recent wonderful playing of cadenzas at a Harvard Symphony Concert. In all of this Madam Urso may be said to be a man, or the equal and compeer of man. ”

“ The Mozart sonata for violin and piano is exceedingly interesting in all its three movements, light and airy in its general character,—except in the andante, which is touched with pensiveness,—and not striking very far down in its suggestions, but full of fresh beauty and consummate in its symmetrical grace. ”

“ The performance only showed how thorough had been her instruction in solfeggio at the Conservatory. Every true artist is a singer. No matter what [93] his or her instrument may be, no matter how skillful their fingers may be with bow or keys, singing must form a part of their education. This is the theory of Camilla’s study in music. The practice of solfeggio gives clearness and accuracy to the ear, and teaches the eye to read with certainty and speed. Much of her understanding of music has come from such practice and it should form a part of every musician’s education. ”

“ A hall must be prepared, the orchestra drilled, the music for the chorus selected and printed, and the whole festival lasting three days be planned, laid out, and carried into effect.
Never before has a single woman been so made a queen over an army of men, women and children. ”

“ Salvatore Urso saw his store of money melting away fast. It was not easy to find a place in the orchestras in Paris. There was not a church in the city that did not have several applicants waiting for the position of organist. Evil days were beginning to come upon them. Nearly nine months had slipped away and Camilla had only just succeeded in entering the Conservatory. For all that, she had entered and her talents had won a good friend in the great teacher Massart. They had no noble patron to aid them, there was no wealthy friend to help them along. ”

“ At its best Nantes is a sleepy place, and in those days it was more narrow, petty and gossipy than can be imagined. A small town in New England where every mother’s daughter can read is bad enough, but in a compact French town where every one must live next door or next floor to everybody else gossip runs wild. Totally ignorant of books or any matter outside of their own town, the people must needs fall back on themselves and quietly pick each other to pieces. Everybody had heard that Salvatore Urso, the flute player [12] intended to teach his little girl the violin. ”

“ Practice upon her violin is the one thing that is never neglected. If it is not reported on every page it is because it is always present, never forgotten. This is the one price [103] every great artist must pay for his or her position. What a commentary on our American haste to reach results does Madam Urso’s life-work present? She has genius. Genius without labor is worse than vain.
In June Madam Urso sailed in the China from Boston and passing through London returned once more to France her native land. Returned to live in dear old Paris but not in the Rue Lamartine. ”

“ Madam Urso’s own views upon the subject are instructive and encouraging, and we present them in very nearly her own words. Taken as a whole, the people of this country are somewhat crude and uneducated in their ideas of music. They certainly love music; they like music even better than the Europeans, but they do not exactly know what they want. If, when an orchestra or an artist is visiting a Western town, you ask a man if he is going to the concert, he will often say, “No, I have seen him once.” ”