Marie Belloc Lowndes

Marie Belloc Lowndes

Summary

Portrait of Marie Belloc Lowndes Marie Belloc Lowndes The lonely house (1920)

What a pity it is sometimes that two human beings cannot see what is passing through each other’s minds and hearts. What a lot of trouble, pain—aye, and danger—their doing so would often save.
Angus Stuart was feeling exasperated with himself, and yet—and yet how could he take advantage of this unlooked-for opportunity? Deep in his heart he knew that he had fallen in love, practically at first sight, with Lily Fairfield, and that he was falling deeper and deeper into love each day. And yet, in a conventional sense, he hardly knew her, for they never could escape from M. Popeau.
Source: Gutenberg

Portrait of Marie Belloc Lowndes Marie Belloc Lowndes The lonely house (1920)

The Marchesa had come down to the dining-room dressed as if for going out, in the plainly-made black coat and skirt and elegant toque she had worn on the first occasion that Lily had seen her; yet once more the English girl was struck by her beauty. She was evidently older than Lily had at first thought, but of her pre-eminent loveliness there could be no doubt. Among the many exquisitely dressed, and, in many cases, very pretty and attractive women there, the Marchesa Pescobaldi looked and moved like a goddess among mortals.
Source: Gutenberg

Portrait of Marie Belloc Lowndes Marie Belloc Lowndes The lonely house (1920)

She looked so very young—almost like a child, and even in the dim light about them he could see the tears in her eyes.
“Look here!” he exclaimed. “I dare say the man’s not half a bad fellow. Try to forget everything I said!”
“I don’t want to forget what you’ve said,” exclaimed Lily—and then she went on, hesitatingly: “Sometimes—to-night, for instance—I feel as if I almost hated Beppo; and then, when he and I are alone together, and he speaks so kindly of his people, and of dear old Cristina, then I tell myself that he is nice, after all!”
Source: Gutenberg

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