Elinor Glyn,
High Noon: A New Sequel to 'Three Weeks'
“ This was the face that had burned its lineaments into the tablets of his memory—the face so sweetly known at Lake Lucerne.The babble of the arriving guests—the strains of the orchestra—became as the faint murmurs of a far off sea.For Paul, one fact, and only one, existed—it was she—his Lady of the Beauteous Countenance; no vision, but a be [162] witching creature of flesh and blood whose gloved hand rested for a moment in his own.As in a dream Paul heard the lady's name—the same that he had learned at Lucerne—and he felt himself murmuring something—what the words were he scarcely knew. ”
