Summary

Portrait of Marjorie Bowen Marjorie Bowen The Viper of Milan — 17.The Terrors of the Night (1906)

Then he stood, hushed, with bated breath, eyes starting into the blackness, listening. And through the dark he heard the creaking and twisting of the key, the slow opening of a heavy door, the groaning of the hinges as it opened, slowly.
The wind howled in a wild gust, and suddenly through the narrow window there showed the black sky torn in two by the lightning flash. As it circled the chamber, Visconti raised his head—the door was open. And through the opening two faces peered—they were not human faces—Visconti knew them when they were.
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Portrait of Marjorie Bowen Marjorie Bowen The Viper of Milan — 17.The Terrors of the Night (1906)

The chamber had light, and the sight of a human face had restored Visconti.
Once more he felt his hold on life and on reality, and he turned from that closed door with its superstitious horror to face real terror and a staggering mischance.
Milan! he had left Milan in an hour of need—and with no one to check Valentine. Only within the last few weeks had he known what she was capable of. What might she not attempt once she realized his absence? Giannotto too, and the Duke d'Orleans! What of their sincerity? He had left not one man within the city whom he could trust implicitly.
Source: Wikisource

Portrait of Marjorie Bowen Marjorie Bowen The Viper of Milan — 17.The Terrors of the Night (1906)

Visconti laughed wildly. "Do I not say so? Give me the lantern!" and he held out his finger, on which there blazed a splendid ring. "Would any ordinary prisoner wear a ring like this? I tell thee it is a coal from hell, and I will give it thee—for thy lantern. See, how it shines; try if it will burn thee to the bone," and he stripped it from his finger, dropping it on the pavement at the soldier's feet.
"Truly," gasped the soldier, looking at him, "thou art no ordinary man, and as for thy gems—whether they be coals or no, thou shalt have the lantern."
Source: Wikisource

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