Summary

Portrait of Marjorie Bowen Marjorie Bowen The Viper of Milan — 2. "Francisco" (1906)

By now Vittore felt and showed respect.
"Then we will not enter Milan either," said the stranger, "since Visconti has not."
The boy gazed on him, struck by his tone, and Tomaso's eyes, half-closing, reopened and fixed themselves upon the stranger's face.
"Messer, you hate Visconti?" whispered Vittore.
The man laughed shortly. "There are many in Lombardy who hate Visconti," he said. "Perhaps I not less than others. Boy," he added, with sudden intensity, "I have only two things to live for: one is to tell Visconti to his face what one man's hatred is."
Source: Wikisource

Portrait of Marjorie Bowen Marjorie Bowen The Viper of Milan — 2. "Francisco" (1906)

Francisco noticed them, and thought grimly they were the color of blood just dry.
The spell of the moon and of the hour lay on everything; a weird ghostliness seemed to step among the trees; a sighing came from the great bushes in the garden of the villa: "Visconti is abroad!"
Francisco touched his dagger and went forward. Across his path two white moths fluttered, white by day, now silver purple, illusive and mysterious. To the man's fevered mood they seemed an omen; souls of the dead allowed to take farewell of earth
Source: Wikisource

Portrait of Marjorie Bowen Marjorie Bowen The Viper of Milan — 2. "Francisco" (1906)

By the roadside some boulders, half-hidden in violets and golden with moss, offered a seat, and half-stumbling over them, the stranger abruptly withdrew his eyes from Milan and saw for the first time the boy, who from a few paces off was timorously observing him.
He was a powerful man of gigantic size, clothed in coarse leather, undressed, patched, slashed, and travel-worn. His legs were bound with straw and thongs of skin, the feet encased in rough wooden shoes stuffed with grass.
Source: Wikisource

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