Summary

Portrait of Marjorie Bowen Marjorie Bowen The Viper of Milan — 5. The Painter's Daughter (1906)

Since I do not hurt thee by the recollection, messer, let me tell thee, it was a splendid sight, that night the Duke returned. I live a quiet life, as an artist may do, even in Milan. I know little, I care little for the wars of princes. They tell me the Visconti's crimes outnumber the stars; but, messer, his shadow has not fallen across my house, and what one does not see one does not fear—but when he returned from Verona! that was a sight, messer.
Source: Wikisource

Portrait of Marjorie Bowen Marjorie Bowen The Viper of Milan — 5. The Painter's Daughter (1906)

But Graziosa turned a smiling face from the boat she was unmooring.
"His altar-piece will draw all Lombardy," she cried.
"Say rather that his altar-piece draws him away from thee," laughed the painter, "and thou wilt be nearer to the truth. The altar-piece has all his time; thou but a few meager hours a week! Still, they love each other, messer, and are happy, so we never care whether Ambrogio paint well or ill." Graziosa seated herself under the blue sail, and looked up with radiant eyes.
Source: Wikisource

Portrait of Marjorie Bowen Marjorie Bowen The Viper of Milan — 5. The Painter's Daughter (1906)

The people shout and yell, and some cry 'tis not the Visconti's army on the road, but Della Scala's. Meanwhile a mob, with Napoleone della Torre at their head, begins to agitate, to threaten riot. With a strong hand Alberic puts them down—the streets are cleared, Graziosa and I on the balcony, all is dark, silent, save now and then the clink of the armor of the sentries on the walls. I am too excited for sleep, messer, all so hushed, so subdued, waiting, waiting. All at once it comes. Oh, the rattle, the roar! The great gates clatter back, the streets fill with crowds no man can keep back.
Source: Wikisource

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