Summary

Portrait of Mark Twain Mark Twain Roughing It — Chapter LVIII (1872)

The plastering that fell from ceilings in San Francisco that day, would have covered several acres of ground. For some days afterward, groups of eyeing and pointing men stood about many a building, looking at long zig-zag cracks that extended from the eaves to the ground. Four feet of the tops of three chimneys on one house were broken square off and turned around in such a way as to completely stop the draft.
A crack a hundred feet long gaped open six inches wide in the middle of one street and then shut together again with such force, as to ridge up the meeting earth like a slender grave.
Source: Wikisource

Portrait of Mark Twain Mark Twain Roughing It — Chapter LVIII (1872)

There was great difference of opinion, at first, as to the course or direction the earthquake traveled, but water that splashed out of various tanks and buckets settled that. Thousands of people were made so sea-sick by the rolling and pitching of floors and streets that they were weak and bed-ridden for hours, and some few for even days afterward.—Hardly an individual escaped nausea entirely.
The queer earthquake—episodes that formed the staple of San Francisco gossip for the next week would fill a much larger book than this, and so I will diverge from the subject.
Source: Wikisource

Portrait of Mark Twain Mark Twain Roughing It — Chapter LVIII (1872)

The street car had stopped, the horses were rearing and plunging, the passengers were pouring out at both ends, and one fat man had crashed half way through a glass window on one side of the car, got wedged fast and was squirming and screaming like an impaled madman. Every door, of every house, as far as the eye could reach, was vomiting a stream of human beings; and almost before one could execute a wink and begin another, there was a massed multitude of people stretching in endless procession down every street my position commanded. Never was solemn solitude turned into teeming life quicker.
Source: Wikisource

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