Summary

Portrait of Mary Gaunt Mary Gaunt The Moving Finger — A Digger's Christmas (1895)

All the camp was sleeping. Most of the diggers had made a night of it the night before in anticipation of the holiday, and now were sleeping off the effects, so that I had it all to myself, and spite of the havoc wrought by the diggers, the gully was pretty still. We were all camped on the flat that bordered the banks of the creek, and away beyond on all sides stretched the hills, standing out clearly now in the brilliant morning sunlight, range upon range, in a series of blue ridges, till they faded away in the bluer distance.
Source: Wikisource

Portrait of Mary Gaunt Mary Gaunt The Moving Finger — A Digger's Christmas (1895)

The music was provided by an old sailor with a fiddle and two concertinas, and if the guttering tallow candles and evil-smelling oil lamps did not provide light enough, outside was the glorious moon, now at the full, a round yellow disc poised in the dark, velvety sky. They were a rough crowd, those diggers, rowdy and foul-mouthed, and they squabbled not a little over their partners. First and foremost each man wanted to dance with Pretty Lizzie
Source: Wikisource

Portrait of Mary Gaunt Mary Gaunt The Moving Finger — A Digger's Christmas (1895)

After dinner, Battle-axe brandy and other drinks, varying only in degrees of strength, being plentiful, the camp became somewhat rowdy, and we quieter spirits therefore retired to a shady nook a little way up the creek, where, flat on our backs among the grass and ferns, we spent the early part of the afternoon yarning over other Christmas Days, spent in far different fashion in a far distant land. We too had Battle-axe brandy as a sort of afternoon tea, and this roused Dick up to such an extent that he burst forth into song.
Source: Wikisource

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