Mary Heaton Vorse

Mary Heaton Vorse

Summary

Portrait of Mary Heaton Vorse Mary Heaton Vorse Jimsie's Afternoon Off (1909)

To the clangor of the dishes was added the whirr of the electric fans and the uproar of the elevated outside, and the bang-banging of cable cars. All around humanity fed itself. Men fed doggedly, expeditiously; fed mostly on meat. The women were more languid. No one could move without adding his quota of noise to the uproar. The floors of cement, the marble tables, the white-tiled walls, all sent their fraction of noise into the general din.
It was a hideous place to eat, thought Jimsie; and he was doing it for Louise. Well, what do girls care for sacrifices—what do women know of the world?
Source: Wikisource

Portrait of Mary Heaton Vorse Mary Heaton Vorse Jimsie's Afternoon Off (1909)

Jimsie found himself feeling, as they started, that he was doing rather a noble act in making good the spoiled holiday of a girl who worked hard all the week—rather a citizen of the world, he felt, too, to have done it so neatly and expeditiously, without any bowing to false standards. Now, there was Louise—much as he loved Louise, he couldn't but admit that she wouldn't have understood this. The best of women have their limitations.
Source: Wikisource

Portrait of Mary Heaton Vorse Mary Heaton Vorse Jimsie's Afternoon Off (1909)

It was with such cheering reflections that he took the Coney Island boat, his companion close beside him. There was something about her sweet good temper, as smiling and as heart-cheering as a sunny day, that caused jimsie to expand into confidences. By the time they were half through their journey, Jimsie had told her, with artless veracity, about his engagement with Louise, about their misunderstanding, and his grouch at the "bunch" for having deserted him.
"Ain't you like a man," was Miss Sanders' comment at the end of this narrative, "making a fuss about what's your own fault!"
Source: Wikisource

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