Summary

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart The Window at the White Cat — XXII. In the Room Over the Way (1910)

Besides, I have a horror of making myself ridiculous, and I had an idea that it would be hard to explain my position, alone in the warehouse, firing a revolver into the floor, if my own argument was right, and the club should rouse to a search. I looked again at my watch; only six minutes.
Eight minutes.
Nine minutes.
Every one who has counted the passing of seconds knows how they drag. With my eyes on the room across, and my finger on the trigger, I waited as best I could.
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart The Window at the White Cat — XXII. In the Room Over the Way (1910)

Burton, after all, was the quickest-witted of the lot. He threw open one of the two doors in the room, revealing a shallow closet, with papered walls and a row of hooks. The other door stuck tight. One of the men pointed to the floor; a bit of black cloth had wedged it, from the other side. Our combined efforts got it open at last, and we crowded in the doorway, looking down a flight of stairs.
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart The Window at the White Cat — XXII. In the Room Over the Way (1910)

I shut the door into the grill-room and faced the three men.
"For God's sake, Burton," I panted, "let's get up-stairs quietly. I didn't fire any shot. There's a woman dead up there."
With characteristic poise, the three reporters took the situation quietly. We filed through the grill-room as casually as we could; with the door closed, however, we threw caution aside. I led the way up the stairs to the room where I had found Fleming's body, and where I expected to find another.
Source: Wikisource

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