Summary

Portrait of Max Brand Max Brand The Night Horseman — V. The Waiting (1920)

In the waiting silence he saw that the old man lay on his couch with eyes of fire and gaping lips, as if he drank the wine of his joyous expectancy. And big Buck Daniels stood with his hand on the sash of the window, frozen there, his eyes bulging, his heart thundering in his throat. And Kate Cumberland sat with her eyes closed, as she had closed them when the wind first rushed upon her, and she still smiled as she had smiled then. And to Byrne, more terrible than the joy of Joseph Cumberland or the dread of Buck Daniels was the smile and the closed eyes of the girl.
Source: Wikisource

Portrait of Max Brand Max Brand The Night Horseman — V. The Waiting (1920)

So perfect and so detailed was the resemblance to death, indeed, that the lips in the shadow smiled—fixedly. It was not until Kate Cumberland shifted a lamp, throwing more light on her father, that Byrne saw that the smile was in reality a forcible compression of the lips. He understood, suddenly, that the silent man on the couch was struggling terribly against an hysteria of emotion.
Source: Wikisource

Portrait of Max Brand Max Brand The Night Horseman — V. The Waiting (1920)

Her lips blanched, and parted to speak, but she checked the impulse and looked swiftly about the room with what seemed to Byrne an appeal for help. As for Buck Daniels, he changed from a dark bronze to an unhealthy yellow; fear, plain and grimly unmistakable, was in his face. Then he strode to the window and threw it open with a crash. The wind leaped in and tossed the flame in the throat of the chimney, so that great shadows waved suddenly through the room, and made the chairs seem afloat. Even the people were suddenly unreal.
Source: Wikisource

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