Summary

Portrait of Max Brand Max Brand Under His Shirt — 11. Enter the New Man (1923)

I pitied him, myself—and I think of that unspeakable beast of a Stanton branding the man with a hot iron—oh, it sickens me when I think of it!"
"He was trying to tear the truth out of the rascal, and cow-punchers don't figure rustlers to be real men; they're just sort of snakes in the eyes of a puncher, Miriam. You'd ought to know that!"
"Oh, he wasn't trying to tear the truth from him. Little he cared about the truth. He was torturing that man to make him break down. He wanted to hear the rustler shriek for mercy; he wanted to make the rustler crawl the way poor Pete crawls.
Source: Wikisource

Portrait of Max Brand Max Brand Under His Shirt — 11. Enter the New Man (1923)

The lip of Miriam curled with horror and scorn, but she could not answer directly.
"I'll tell you why he'll come back," went on Red, as the singing grew a little louder and a little nearer. "First off, when he gets off by himself with the rustler, he'll begin to think that it's a pretty good thing to be free. But as soon as he runs into somebody that talks loud and has a handy pair of fists, he'll begin to wish that he was back under cover.
Source: Wikisource

Portrait of Max Brand Max Brand Under His Shirt — 11. Enter the New Man (1923)

He was a maker of men!"
"Maybe you might call it that," nodded her father. "But, anyway you put it, I'm sure glad to hear that that's Pete Burnside. And I don't care what sort of a man he's turned out to be lately, he's been man enough in the past to suit me. And if he ever comes back to this here ranch he's going to be treated like a king!"
"Yes, yes!" cried the girl. "Oh, dad, he surely deserves everything that good men can do for him!"
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature