Miguel de Cervantes

Miguel de Cervantes

Summary

Portrait of Miguel de Cervantes Miguel de Cervantes Don Quixote — Volume 2, Chapter XXVI (1885)

On hearing this, Master Pedro stopped ringing, and said, "Don't look into trifles, Senor Don Quixote, or want to have things up to a pitch of perfection that is out of reach. Are there not almost every day a thousand comedies represented all round us full of thousands of inaccuracies and absurdities, and, for all that, they have a successful run, and are listened to not only with applause, but with admiration and all the rest of it?
Source: Wikisource

Portrait of Miguel de Cervantes Miguel de Cervantes Don Quixote — Volume 2, Chapter XXVI (1885)

Don Gaiferos advances, and without minding whether the rich petticoat is torn or not, he seizes her and by force brings her to the ground, and then with one jerk places her on the haunches of his horse, astraddle like a man, and bids her hold on tight and clasp her arms round his neck, crossing them on his breast so as not to fall, for the lady Melisendra was not used to that style of riding. You see, too, how the neighing of the horse shows his satisfaction with the gallant and beautiful burden he bears in his lord and lady.
Source: Wikisource

Portrait of Miguel de Cervantes Miguel de Cervantes Don Quixote — Volume 2, Chapter XXVI (1885)

But in spite of this, Don Quixote did not leave off discharging a continuous rain of cuts, slashes, downstrokes, and backstrokes, and at length, in less than the space of two credos, he brought the whole show to the ground, with all its fittings and figures shivered and knocked to pieces, King Marsilio badly wounded, and the Emperor Charlemagne with his crown and head split in two.
Source: Wikisource

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