Summary

Mrs. Charles MacVeagh Fountains of Papal Rome — Campidoglio

For a thousand years — and we do not know for how much longer — Marforio has been a part of the city's life. He has survived the Norman pillage in 1084, as well as the great sack of Rome in 1527. As a kindly god, dispensing water to rich and poor, he has had his part in all the triumphs and disasters, and has shared the ups and downs of life not only with the city but with her children. Roman and barbarian, patrician and plebeian, slave and citizen, Pagan and Christian — all have drunk from his fountain.
Source: Wikisource

Mrs. Charles MacVeagh Fountains of Papal Rome — Campidoglio

It is only necessary to study for a short time the various river-gods in Rome, such as those of the Tiber and the Nile, here at the Capitol, or Fontana's statue in the Quattro Fontane, or the modern work in the western fountain of the Piazza del Popolo, and then to return to Marforio, to appreciate the immense artistic superiority of the latter. Marforio is truly a river-god, a personification of all or any of the earth's rivers. The ancient and forgotten sculptor has given to the ponderous stone a fluid quality which is really wonderful.
Source: Wikisource

Mrs. Charles MacVeagh Fountains of Papal Rome — Campidoglio

Artists of the Renaissance from Rome and from beyond the Alps always speak of the gran simulacro a giacere, an expression difficult to anglicize, but which is an attempt to describe this singular quality of a static position instinct with continuous and onward flowing movement. Finally, the god's face is full of genuine power and benignity and is the adequate consummation of the sculptor's ideal. It is no wonder that Marforio has become a type.
Source: Wikisource

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