Summary

Mrs. Charles MacVeagh Fountains of Papal Rome — Farnese

Spain had the riches of the New World; France and England were breeding the manhood of Europe; but Italy held the keys to the past — to the culture for which men's souls longed. The time was not yet — in 1540 — although it was close at hand, when Italy's deliberate choice of evil rather than good finally made her, by weakening and corrupting her, a captive to Spain. Time was not yet; and in that last lingering glow of her greatness and freedom the old Pope, Paul III, moves as her incarnate spirit.
Source: Wikisource

Mrs. Charles MacVeagh Fountains of Papal Rome — Farnese

The monster granite baths have a sepulchral effect. They seem more lite coffins made to hold the bones of departed heroes than like basins for receiving and distributing living water. During more than two centuries these fountains bore witness to the magnificence of the Farnese family; but as that magnificence had been sought and held for reasons as purely personal and selfish as men have ever known, it had no real value or significance for the world. No memories of patriotism or ghost of romance hangs over these fountains, or over the palace which they guard.
Source: Wikisource

Mrs. Charles MacVeagh Fountains of Papal Rome — Farnese

The treasures they there found might well have been the loot of some fabulous city, and yet the pearls and gold and rubies brought some twenty years later by Francis Drake to his royal mistress were of small significance compared to the works of art found in those great baths — baths which had been the most sumptuous pleasure-house of imperial Rome. It is the glory of Italy that she knew this at the time.
Source: Wikisource

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