Summary

Mrs. Charles MacVeagh Fountains of Papal Rome — Villa Borghese…

Such a garden was the Villa Borghese; and such a garden it still is, in spite of constant desecration. This is the home of the most poetic of Bernini's fountains. It stands on the summit of a rising avenue, yet it does not terminate a vista, it makes itself a part of one, for the avenue continues after the fountain has been reached. It stands in full but tempered sunlight, girt about by a circle of box hedges and ilex trees, with here and there a tall stone pine. The lower basin lies in the turf, like a natural pool, and the water fills it to the brim.
Source: Wikisource

Mrs. Charles MacVeagh Fountains of Papal Rome — Villa Borghese…

Greater peacefulness could not well be given to any artificial bit of water. Then from the centre of this dreaming pool there rises a fountain so rich in carving, so beautiful in design that it seems rather a great and splendid efflorescence than the work of men's hands. From its leaf-fringed lower basin there rises a second and much smaller one, not like another basin but like a corolla within a corolla, and the flower-like composition terminates in a beautifully wrought cup resembling the blossom of the campanula.
Source: Wikisource

Mrs. Charles MacVeagh Fountains of Papal Rome — Villa Borghese…

His fountain is not a fanciful conceit but a rich and peaceful artistic creation. An enchanter's wand has checked the horses in mid-career, and here they remain, motionless, for all their movement, under the shadow of the leafy basin, part of a beautiful whole that must never be broken. This is one of those rare compositions in which the artist has most happily achieved the second essential in a fountain, that it should be a thing of beauty, a source of delight to the eye and ear.
Source: Wikisource

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