Summary

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Marble Faun/Volume 2 — A Walk on the Campagna (1860)

Here you may see a modern dwelling, and a garden with its vines and olive-trees, perched on the lofty dilapidation of a tomb, which forms a precipice of fifty feet in depth on each of the four sides. There is a home on that funereal mound, where generations of children have been born, and successive lives been spent, undisturbed by the ghost of the stern Roman whose ashes were so preposterously burdened. Other sepulchres wear a crown of grass, shrubbery, and forest-trees, which throw out a broad sweep of branches, having had time, twice over, to be a thousand years of age.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Marble Faun/Volume 2 — A Walk on the Campagna (1860)

At frequent intervals along the roadside up-rises the ruin of an ancient tomb. As they stand now, these structures are immensely high and broken mounds of conglomerated brick, stone, pebbles, and earth, all molten by time into a mass as solid and indestructible as if each tomb were composed of a single boulder of granite. When first erected, they were cased externally, no doubt, with slabs of polished marble, artfully wrought bas-reliefs, and all such suitable adornments, and were rendered majestically beautiful by grand architectural designs.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Marble Faun/Volume 2 — A Walk on the Campagna (1860)

A spade can scarcely be put into that soil, so rich in lost and forgotten things, without hitting upon some discovery which would attract all eyes, in any other land. If you dig but a little way, you gather bits of precious marble, coins, rings, and engraved gems; if you go deeper, you break into columbaria, or into sculptured and richly frescoed apartments that look like festive halls, but were only sepulchres.
Source: Wikisource

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