Nathaniel Hawthorne

Nathaniel Hawthorne

Summary

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Wives of the Dead

But then she remembered that Margaret would awake to thoughts of death and woe, rendered not the less bitter by their contrast with her own felicity. She suffered the rays of the lamp to fall upon the unconscious form of the bereaved one. Margaret lay in unquiet sleep, and the drapery was displaced around her; her young cheek was rosy-tinted, and her lips half opened in a vivid smile; an expression of joy, debarred its passage by her sealed eyelids, struggled forth like incense from the whole countenance.
“My poor sister! you will waken too soon from that happy dream,” thought Mary.
Source: Gutenberg

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Wives of the Dead

Two vacant arm-chairs were in their old positions on opposite sides of the hearth, where the brothers had been wont to sit in young and laughing dignity, as heads of families; two humbler seats were near them, the true thrones of that little empire, where Mary and herself had exercised in love a power that love had won. The cheerful radiance of the fire had shone upon the happy circle, and the dead glimmer of the lamp might have befitted their reunion now. While Margaret groaned in bitterness, she heard a knock at the street door.
Source: Gutenberg

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Wives of the Dead

Sleep did not steal upon the sisters at one and the same time. Mary experienced the effect often consequent upon grief quietly borne, and soon sunk into temporary forgetfulness, while Margaret became more disturbed and feverish, in proportion as the night advanced with its deepest and stillest hours. She lay listening to the drops of rain, that came down in monotonous succession, unswayed by a breath of wind; and a nervous impulse continually caused her to lift her head from the pillow, and gaze into Mary’s chamber and the intermediate apartment.
Source: Gutenberg

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