Neith Boyce

Neith Boyce

In a Garden (1896)

Summary

Portrait of Neith Boyce Neith Boyce In a Garden (1896)

Fiora sank to her knees and remained for some moments motionless, gazing out into the garden. In the dusk, deepened by the shadow of encircling trees, nothing was visible save narrow paths strewn with opal-colored sea-shells glimmering amid fresh turf, and roses blooming in masses along these walks and hiding the wall under their heavy leaves, thick with flowers like pale flames. Silence—except for the applauding whisper of the trees and the plash of water. There was no one in the garden.
Taking courage, the intruder pushed her way out from under the boughs of the fig-tree.
Source: Wikisource

Portrait of Neith Boyce Neith Boyce In a Garden (1896)

The foliage of the acacia trembled as though a bird had taken wing. The bench was vacant, flowers strewed the ground before it, the presence had vanished. Her white feet or a breath of air had borne her away. The diapason of the organ drowned the sound her flight might have made; and the trees bent as though to bury in shadow her possible path. Emanuel made a long step forward.
"Woman or spirit, she is gone!" he cried, and stooped to see what trace of her those scattered roses might show. Anselmo grasped his companion's sleeve.
Source: Wikisource

Portrait of Neith Boyce Neith Boyce In a Garden (1896)

Under the branches of the acacia the shadow sat still in deeper shadow; save that the rays of the moon fell upon two slim, naked feet, which the short grass could not cover. It had taken, then, the form of a woman, that the garden and its tradition might be doubly desecrated! Anselmo's indignation was not fierce enough to nerve his soul, weakened by mystic terrors.
Source: Wikisource

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