Summary

Portrait of Neith Boyce Neith Boyce The Folly of Others — The Forbidden (1904)

The foliage of the acacia trembled as though a bird had taken wing. The bench was vacant, flowers strewed the ground before it, the presence had vanished. Her white feet or a breath of air had borne her away. The diapason of the organ drowned the sound her flight might have made; and the trees bent as though to bury in shadow her possible path. Emanuel made a long step forward.
"Woman or spirit, she is gone!" he cried, and stooped to see what trace of her those scattered roses might show. Anselmo grasped his companion's sleeve.
Source: Wikisource

Portrait of Neith Boyce Neith Boyce The Folly of Others — The Forbidden (1904)

For if any wandering spirit, coveting, yet not daring to enter the garden, had strayed near to the confining wall, it must have heard the solemn chant of the Church's exorcism directed against all powers unholy; it must have beheld a slow procession of monks make the circuit of the shell-strewn paths, sprinkling the ground with holy-water to purify it from the contaminating touch of a woman's foot. And if, spirit or woman, it were still undeterred, there was Angelo's music at evening—like another flaming sword at the gate of this Eveless Eden!
Source: Wikisource

Portrait of Neith Boyce Neith Boyce The Folly of Others — The Forbidden (1904)

And the trees in the monks' garden seemed to bend and listen and to beckon while they shook all over with malicious glee.
Scurrying over the ground beyond, with bare, dusty feet, appeared a group of creatures pulling each other by extended arms or brown garments which seemed a part of the earth, or by their braids of strong, black hair. Writhing in this rough play they flung themselves against the wall. A pale-faced girl in a scarlet blouse, like a cactus-flower bursting from its dull sheath, threw up her arms into the dense, dark foliage of an overhanging fig-tree and dragged down the bough.
Source: Wikisource

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