Summary

Portrait of Norman Duncan Norman Duncan Billy Topsail & Company: A Story for Boys

The Jolly Harbour folk might laugh and joke, they might even offer sympathy, they might be the most hospitable, tender-hearted, God-fearing folk in the world; but tradition had taught them that what the sea cast up belonged righteously to the men who could take it, and they would with good consciences and the best humour in the world stand upon that doctrine. And Bill o’ Burnt Bay would do no murder to prevent them: it was not the custom of the coast to do murder in such cases; and Archie Armstrong’s last injunction had been to take no lives.
Source: Gutenberg

Portrait of Norman Duncan Norman Duncan Billy Topsail & Company: A Story for Boys

The business with Tog happened before old Jim Grimm moved south to Ruddy Cove of the Newfoundland coast, disgusted with the fishing of Buccaneer. It was before Jimmie Grimm had fallen in with Billy Topsail and Donald North, before he had ever clapped eyes on Bagg, the London gutter-snipe, or had bashfully pawed the gloved hand of Archie Armstrong, Sir Archibald’s son. It was before Donald North cured himself of fear and the First Venture had broken into a blaze in a gale of wind off the Chunks.
Source: Gutenberg

Portrait of Norman Duncan Norman Duncan Billy Topsail & Company: A Story for Boys

The mail-boat comes to Ruddy Cove in the night, when the shadows are black and wet, and the wind, blowing in from the sea, is charged with a clammy mist. The lights in the cottages are blurred by the fog. They form a broken line of yellow splotches rounding the harbour’s edge. Beyond is deep night and a wilderness into which the wind drives. In the morning the fog still clings to the coast.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature