Summary

Portrait of O. Henry O. Henry The Indian Summer Of Dry Valley Johnson

There was a gulf between him and youth over which he could not build a bridge even with yellow gloves to protect his hands. And the sight of his torment coming to pester him with her elfin pranks—coming to plunder his strawberry vines like a mischievous schoolboy—roused all his anger.
"I told you to keep away from here," said Dry Valley. "Go back to your home."
Panchita moved slowly toward him.
Dry Valley cracked his whip.
"Go back home," said Dry Valley, savagely, "and play theatricals some more. You'd make a fine man. You've made a fine one of me."
Source: Wikisource

Portrait of O. Henry O. Henry The Indian Summer Of Dry Valley Johnson

There she turned again and grilled Dry Valley Johnson once more in the dark flame of her audacious eyes, laughed a trifle school-girlishly, and twisted herself with pantherish quickness between the pickets to the O'Brien side of the wild gourd vine.
Dry Valley picked up his whip and went into his house. He stumbled as he went up the two wooden steps. The old Mexican woman who cooked his meals and swept his house called him to supper as he went through the rooms. Dry Valley went on, stumbled down the front steps, out the gate and down the road into a mesquite thicket at the edge of town.
Source: Wikisource

Portrait of O. Henry O. Henry The Indian Summer Of Dry Valley Johnson

So long-drawn and inconsequential a thing is history—the anamorphous shadow of a milestone reaching down the road between us and the setting sun.
When his strawberries were beginning to ripen Dry Valley bought the heaviest buggy whip in the Santa Rosa store. He sat for many hours under the live oak tree plaiting and weaving in an extension to its lash. When it was done he could snip a leaf from a bush twenty feet away with the cracker. For the bright, predatory eyes of Santa Rosa youth were watching the ripening berries, and Dry Valley was arming himself against their expected raids.
Source: Wikisource

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