Summary

Portrait of Oliver Onions Oliver Onions Back o' the Moon, and Other Stories… (1906)

Eastwood watched him furtively; Moon had not moved. The magistrate began to murmur, neither quite aloud nor quite to himself; and the expression on Eastwood's face became one of deep abstraction. All the world is agreed that when a man's musings are overheard the secrecy of them remains inviolable; it is a nicer point whether or not you may rule your conduct by the light of any information they may contain. Only by the acutest attention could John Emmason's murmurings have been overheard
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Back o' the Moon, and Other Stories… (1906)

James Eastwood nudged the merchant that he should hold his peace; and by and by the magistrate hummed softly, as if at something interior to himself, and punctuated his remarks with delicate touchings of his fingers.
“Hum, hum! Do you happen, James (but possibly you won't) —do you happen to remember a conversation we had a little while ago, about saying Yes when No is meant?—Surely it was to you I was speaking of that?”
“To be sure,” said Eastwood (though he remembered no such thing) .
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Back o' the Moon, and Other Stories… (1906)

That's Cope. Don't trust my eyes; come and see. Come and see the busiest man in Horwick. Ye're going to bide what happens, are ye? See ye don't bide too long. What Emmason's going to do he must do quick, and James, that can talk his daft talk, must see to it. Don't tell me I've troubles ye know nothing about; ye've heard my trouble.”
John Raikes was pale, and he was clenching and unclenching his hands. Eastwood's crafty face was anxious and drawn into corrugations.
Source: Wikisource

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