Summary

Portrait of Oliver Onions Oliver Onions Back o' the Moon, and Other Stories… (1906)

Come. We've only two words to say to the lads, and the safest place for Cope will be his own bed. Come.—Don't you go adding testimony, Emmason. Good day.”
They passed out into the glaring street, and that same afternoon John Raikes, with half a dozen pigeons in a cage, set off on horseback for York.
Cope was no longer a jest. Even that merry soul, Cole the clogger, had ceased to button his coat over his arms and to slip the clogs on his hands, and only the magpie continued from habit to whistle “Hey, Johnny Cope,” when the supervisor's toddling steps sounded down the croft.
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Portrait of Oliver Onions Oliver Onions Back o' the Moon, and Other Stories… (1906)

He shot out his hand as if to clutch the landlord's throat.
“For the love o' God, don't, sir!” the landlord screamed, falling back; and Cope sniggered.
“Hn! hn! hn! hn! hn! ... Very well; and now to my question.” His voice changed almost to a snarl. “Why,” he demanded, “when the thing itself is at their doors, will the rascals blench at the name of it? I think their necks are stouter than their stomachs! My God, what fools!—Curse 'em in London; they told me there was work for a man here, and what do I find? Monjoy with his porridge-brains at the head of it, and the others....
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Back o' the Moon, and Other Stories… (1906)

There was no question of Cope's physical courage. The merchant could have crushed him, and every man seemed disturbed to find himself so far out of his reckoning. Instead of showing fear, Cope covered, bathed, enveloped the merchant in one baleful look, and said in an even voice, “Sit down.” The door opened, and Sally Northrop stood in the entry.
Source: Wikisource

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