Summary

Portrait of Oliver Onions Oliver Onions Back o' the Moon, and Other Stories… (1906)

A cock gave a rousing call, and was answered from farm to farm throughout the grey dale. “Barnaby Bright, langest day an' shortest night,” a farmer muttered; and russet frets appeared over the hills. The fire burned down, and the embers glowed through a white ash. The Rebeccas were gathered together for departure; and Harriet Stubbs, a grimy, ungainly figure, in a short under-petticoat that revealed her sharp tibias, stood a little apart and watched a man in a woman's attire who led a horse with a figure upon it quietly round by a wall and down a pasture to the open northward road.
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Back o' the Moon, and Other Stories… (1906)

The mare sprang more quickly forward at the trailing of the whiplash over her quarters, and the dark hedges made a long blur on either hand. The odd brightness rose and sank over the distant fell.
“Rebecca afore, an' th' father ahint,” he said to himself, “an' we canna hide th' trap; we maun chance it. Come up, Polly!—Hark!—Ay, yon's Beeswing; I ken her trot; thou canna leave Beeswing, Polly, poor lass; we can but go forrard. Polly's my own, but I ha' borrowed th' trap. Come closer, Bess.”
“Oh, Harry, ha' a care; we were a'most i' th' dike then!
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Back o' the Moon, and Other Stories… (1906)

The man looked the vehicle up and down.
“A tidy trap an' mare for a poor man! Followed, are ye? Down ye get, both on ye—a lass, begow! We're that mony lasses to-neet a man gits mixed ameng 'em.—Followed, are ye? I'm none so capped at that; poor men doesn't drive traps an' mares like yon; we arena thieves.—Tak' th' mare out.”
The mare was fastened to a tree, and Harry—Bessie wide-eyed at his side—watched the spectacle. Cattle gazed over walls, and moths and buzzards fluttered here and there.
Source: Wikisource

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