Summary

Portrait of Oliver Onions Oliver Onions Widdershins — The Beckoning Fair One… (1911)

All the time, he thought how exceedingly lucky he was to get the place. He put up a hat-rack in the little square hall, and hung up his hats and caps and coats; and passers through the small triangular square late at night, looking up over the little serried row of wooden "To Let" hatchets, could see the light within Oleron's red blinds, or else the sudden darkening of one blind and the illumination of another, as Oleron, candlestick in hand, passed from room to room, making final settlings of his furniture, or preparing to resume the work that his removal had interrupted.
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Widdershins — The Beckoning Fair One… (1911)

Now Oleron was already paying, for his separate bedroom and workroom, more than an author who, without private means, habitually disregards his public, can afford; and he was paying in addition a small rent for the storage of the greater part of his grandmother's furniture. Moreover, it invariably happened that the book he wished to read in bed was at his working-quarters half a mile and more away, while the note or letter he had sudden need of during the day was as likely as not to be in the pocket of another coat hanging behind his bedroom door.
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Widdershins — The Beckoning Fair One… (1911)

Oleron asked if he might have the key of the old house; and the long-nosed man withdrew again.
Oleron waited for another five minutes on the step; then the man, appearing again and masticating some of the food of which he had spoken, announced that the key was lost.
"But you won't want it," he said. "The entrance door isn't closed, and a push'll open any of the others. I'm a agent for it, if you're thinking of taking it—"
Oleron recrossed the square, descended the two steps at the broken gate, passed along the alley, and turned in at the old wide doorway.
Source: Wikisource

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