Owen Seaman

Owen Seaman

Punch, Volume 147, Issue 3808… (19th and 20th century)

Summary

Portrait of Owen Seaman Owen Seaman Punch, Volume 147, Issue 3808… (19th and 20th century)

Indeed, one young man (the episode escaped me at the dress rehearsal, but I have it in the guide-book) —one young man, "sobbing, buries his head in his hands, upsetting thereby a dish of fruit." As for Potiphar, it failed to sir the sombre depths of his abysmal boredom, but his wife, whose ennui had hitherto been of the most profound, began to sit up and take notice, and at the end of the dance she sent for Joseph and supplemented his rather exiguous costume with a gross necklace of jewels, letting her hand linger awhile on his bare nexk.
Source: Wikisource

Portrait of Owen Seaman Owen Seaman Punch, Volume 147, Issue 3808… (19th and 20th century)

But they could never have guessed that Herr Tiessen, author of a shilling guide to the intentions of the composer, would attach a transcendental significance to the conduct of Potiphar's Wife "Through the unknown divine," he informs us, "which is still new and mysterious to her, an imperious desire awakens in her to fathom, to possess this world"—the world, that is to say, which Joseph's imagination creates in the course of an exhibition dance.
Source: Wikisource

Portrait of Owen Seaman Owen Seaman Punch, Volume 147, Issue 3808… (19th and 20th century)

I don't blame the boy for not knowing the rule that forbids one art to trespass on the domain of another; but there is no excuse for Herr Strauss, who must have been well aware that, for the conveyance of any but the most obvious emotions, mute dancing can never be a satisfactory substitute for articulate poetry.
However, Potiphar's guests seemed better instructed than I was, for they threw off their apathy and took quite an intelligent interest in Joseph's pas soul.
Source: Wikisource

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