P. G. Wodehouse

P. G. Wodehouse

Summary

Portrait of P. G. Wodehouse P. G. Wodehouse,  A Damsel in Distress — Chapter 17 (1919)

“ Here, undeniably, we have a man without a secret sorrow, a man at peace with this best of all possible worlds. Since his visit to George a second youth seems to have come upon Lord Marshmoreton. He works in his rose-garden with a new vim, whistling or even singing to himself stray gay snatches of melodies popular in the 'eighties.
Hear him now as he toils. He has a long garden-implement in his hand, and he is sending up the death-rate in slug circles with a devastating rapidity.
"Ta-ra-ra boom-de-ay
Ta-ra-ra BOOM—"
And the boom is a death-knell.
”
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse,  A Damsel in Distress — Chapter 17 (1919)

“ So far from rendering himself indispensable to Maud by constant little attentions, Reggie, to the disgust of his backer and supporter, seemed to spend most of his time with Alice Faraday. On three separate occasions had Albert been revolted by the sight of his protégé in close association with the Faraday girl—once in a boat on the lake and twice in his grey car. It was enough to break a boy's heart; and it completely spoiled Albert's appetite—a phenomenon attributed, I am glad to say, in the Servants' Hall to reaction from recent excesses. ”
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse,  A Damsel in Distress — Chapter 17 (1919)

“ The gift of hiding private emotion and keeping up appearances before strangers is not, as many suppose, entirely a product of our modern civilization. Centuries before we were born or thought of there was a widely press-agented boy in Sparta who even went so far as to let a fox gnaw his tender young stomach without permitting the discomfort inseparable from such a proceeding to interfere with either his facial expression or his flow of small talk. ”
Source: Wikisource

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