P. G. Wodehouse

P. G. Wodehouse

Summary

Portrait of P. G. Wodehouse P. G. Wodehouse Jill the Reckless — Chapter 18 (1920)

She wanted to cry and be petted.
"No!" said Wally again. There had been the faintest suggestion of a doubt when he had spoken the word before, but now it shot out like a bullet. "And I'll tell you why. I want you—and, if you married me feeling like that, it wouldn't be you. I want Jill, the whole Jill, and nothing but Jill, and, if I can't have that, I'd rather not have anything. Marriage isn't a motion-picture close-up with slow fade-out on the embrace. It's a partnership, and what's the good of a partnership if your heart's not in it? It's like collaborating with a man you dislike....
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse Jill the Reckless — Chapter 18 (1920)

We may say what we will against the upper strata of Society, but it cannot be denied that breeding tells. Only by falling back for support on the traditions of his class and the solid support of a gentle upbringing was the Last of the Rookes able to crush down the words that leaped to his lips and to substitute for them a politely conventional agreement. If Mr. Pilkington was feeling like a too impulsive seller of gold mines, Freddie's emotions were akin to those of the Spartan boy with the fox under his vest.
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse Jill the Reckless — Chapter 18 (1920)

The curtain fell on the first act of "The Rose of America," and simultaneously tremendous applause broke out from all over the Gotham Theatre, which was crammed from floor to roof with that heterogeneous collection of humanity which makes up the audience of a New York opening performance. The applause continued like the breaking of waves on a stony beach. The curtain rose and fell, rose and fell, rose and fell again.
Source: Wikisource

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