P. G. Wodehouse,
The Man With Two Left Feet — Bill the Bloodhound
(1917)
“ It seemed to him that she hesitated.'Cut it out!' bellowed the stage-manager, and Henry cut it out.And at this moment, when his whole fate hung in the balance, there came from the stage that devastating high note which is the sign that the solo is over and that the chorus are now about to mobilize. As if drawn by some magnetic power, she suddenly receded from him, and went on to the stage.A man in Henry's position and frame of mind is not responsible for his actions. He saw nothing but her; he was blind to the fact that important manoeuvres were in progress. ”
