Summary

Portrait of R. M. Ballantyne R. M. Ballantyne Blue Lights: Hot Work in the Soudan

His voice, being a really splendid one, attracted all the men who chanced to be within range of it: among others, Miles, who was passing at the moment with a bag of biscuits in one hand and a meat-can in the other. He leaned up against one of those funnels which send fresh air down to the stokers of steam-ships. He had listened only a few moments when Marion Drew glided amongst the men, and seemed to stand as if entranced with delight in front of him, steadying herself by a rope, for the vessel was pitching a good deal as well as rolling considerably.
Source: Gutenberg

Portrait of R. M. Ballantyne R. M. Ballantyne Blue Lights: Hot Work in the Soudan

There were soldiers, sailors, and civilians; men, women, and children. Amongst the first, Rattling Bill Simkin walked to the front—his moral courage restored to an equality with his physical heroism—and put down his name. So did Johnson and Sutherland—the former as timid before the audience as he had been plucky before the Soudanese, but walking erect, nevertheless, as men do when conscious that they are in the right; the latter “as bold as brass”—as if to defy the world in arms to make him ever again drink another drop of anything stronger than tea.
Source: Gutenberg

Portrait of R. M. Ballantyne R. M. Ballantyne Blue Lights: Hot Work in the Soudan

It was then that poor Miles received the shock above referred to. At that moment a little boy with wings and a bow stepped right in front of the young lady and shot straight at Miles Milton! The arrow entered his heart, and he—no, he did not fall; true men in such circumstances never fall! They stand transfixed, sometimes, or stupefied. Thus stood Miles and stared. Yes, though naturally modest and polite, he stood and stared!
And small blame to him, as Flynn might have said, for before him stood his ideal of a fairy, an angel, a sylph—or anything beautiful that best suits your fancy, reader!
Source: Gutenberg

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