Rafael Sabatini

Rafael Sabatini

Summary

Portrait of Rafael Sabatini Rafael Sabatini The Curate and the Actress (1899)

To have a woman, and a young one to wit, sharing the same roof was evil enough; but that this woman should be an actress!—a saintly shudder ran through his slender young frame at the mere thought, and for forty-eight consecutive hours he dared not venture forth lest he should chance upon this vulgar painted female, with straw-coloured hair and pencilled lashes, of whom he had caught a glimpse through the window on the day following upon that of her arrival.
He had been glad to come to Stollbridge, for it promised him freedom to pursue his studies in peace, and away from the world
Source: Wikisource

Portrait of Rafael Sabatini Rafael Sabatini The Curate and the Actress (1899)

I am sorry if I have wounded your vanity or your heart, but I could not withstand the temptation of testing the mettle of the young curate who fled in pious horror from under the roof which had the misfortune to shelter an actress. I hope that I have succeeded in proving to you at least that the horror you felt was only inspired by a word, and that after all an actress may still be sufficiently a woman to cause even a saint to come down from his pedestal and woo her.
Source: Wikisource

Portrait of Rafael Sabatini Rafael Sabatini The Curate and the Actress (1899)

But Andrew flew as near a temper as his sanctity—rather rusty of late—would allow, and he told the vicar in plain and very much unvarnished language that he was quite old enough to choose his own companions.
"Yes, yes," replied the vicar, absorbing some of the heat which Andrew was giving out, "but it isn't that! A certain amount of example is expected from us, you know, and-well—you go out boating every day by yourself and come back accompanied, and—of course people are beginning to talk, which is very distressing!"
Source: Wikisource

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